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- assess for psychological wounds, and
reduce them |
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Effective
"Parts Work":
the Basics - p. 5 of 9
General Parts Work
Techniques
By Peter K.
Gerlach, MSW
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The Web address of this article is
http://sfhelp.org/01/ifs5-techniques_cx1.htm
This page continues an introduction to
harmonizing personality subselves and reducing false-self wounds - "parts work."
Please turn off your browser's popup
blocker to access the informational popups in this article.
Now - after picking your initial inner-family goals, clarifying your key
attitudes, picking your supporters, and "ranking your inner-family work," you're ready to meet some members of your inner family. Your personal uniqueness
guarantees that the way you do inner-family work will be unlike anyone else’s way.
The following steps are offered as a buffet of
options, rather than a
rigid fixed course. Scan this whole article to get a feel for it’s scope.
Then reread in whatever level of detail that feels right. Here’s the menu:
Basic Parts-work
Techniques
Getting Ready
for a Parts Session
Optimize the results of your parts work by making some simple
preparations for each inner-family session. The more you do the work, the
more automatic these steps will become:
-
Key:
do an honest Self-check
-
Reserve enough undistracted time
-
Gather helpful materials
-
Pick an appropriate site, and...
-
review your attitudes and parts-work
(recovery) goals.
Do a
Self-check
An unavoidable paradox: the main purpose of parts work is to
your wise, resident true Self to guide, retrain, and harmonize your other
subselves. Yet doing this requires your Self to be in charge! So an Initial
step before a parts session is to sense (a) whether your Self is
now, or if not, (b) which other subselves (usually one or more
and their dedicated
currently control your thoughts and feelings.
If you sense a protective false self is in charge as you start a parts
session, evolve a way of unblending
that works well enough. Bypassing
this key preparation step risks your experiencing dissatisfying results from
a session and losing your motivation to do this priceless healing
work.
Reserve
Enough Undistracted Time
Like meditating or praying, if you try to jam parts explorations in between
other pressing life activities, you risk inner distractions diluting your
concentration and efforts. With practice, you’ll evolve a sense of how much
time to allocate comfortably to meet with your
Initially, try at least 15". Expect some distrustful,
subselves to resist, and reassure them
that there’s time enough to attend "the other important things." Next,...
Gather
Helpful Materials
These
can include your
and a pen/cil; art markers or crayons; a newsprint
pad; clay; magazines for pictures; photographs of key people or places;
soothing background tapes or CDs (e.g. harp music, wind chimes, Nature
sounds); candles or incense; an alarm clock; sacred items (e.g. a
Holy book, crucifix, icon, crystal, or amulet); toys or stuffed animals; a
footstool, tissue; a blanket and pillow; slippers; a special garment; water
or fruit; a book of meditations or affirmations; and this article. Don't
bring your cell phone, checkbook, Walkman, or cat!
Any objects that add to your
parts’ comfort and enhance ways they can safely express themselves are
helpful. As your parts-work style develops, you’ll evolve your own resource kit. Know
that at some point, it may be helpful to add tools to allow safely
expressing parts’ repressed anger - like a tennis racket and target
pillow, a rolled-up newspaper or magazine, or a padded "encounter
bat (bataka)."
Pick
an Appropriate Site
"Appropriate" means a place that...
-
is free enough from
distracting noise, smells, lights, mementos, movement, and interruptions;
-
is comfortable
in temperature, illumination, decor, space, and furnishings. Ideally, furnishings will
include several comfortable sitting places and a couch, bed, or futon where
you can lie down if (someone) needs to. And a place
that...
-
feels
"right." Parts work can be intensely personal, and increasingly
Doing it in a place that feels like your safe
and sacred space (a den,
study, alcove, or sanctuary) is a great help. A setting near or in
Nature is often optimal. And "appropriate" also means a place where...
-
your subselves can
express themselves (rage, cry, yell) loudly without unduly disturbing
or arousing other people or animals.
Ideally, do your work in the same place. Accumulating positive
IFS experiences there will strengthen anxious parts’ expectations of
safety, comfort, and good outcomes. A strategic exception is when your
current work may benefit from visiting places associated with prior traumas. These can include early homes, schools, neighborhoods,
churches, cemeteries, and other evocative sites.
Review your Attitudes and Goals
When you’ve allocated enough time, arranged for no interruptions, and are
settled in your "parts space," then...
Read or review your initial
beliefs and attitudes
and goals from your journal - perhaps out loud;
Close your eyes to shut out
visual distractions if that suits you, and mentally get clearer on what
you want to do this session. Optionally, invite
your inner
to guide the session, trusting that parts who
need attention will appear, and help form your work.
Notice without judgment any
distracting thoughts, feelings, or sensations that some parts may be
giving you. Calmly accept any
or
as their legitimate
reactions - and use them as
opportunities to guide your work.
As you gain experience, you’ll
develop your ability to do effective parts work in an increasing range of
situations and places. Evolving your own "teambuilding space" is a helpful
way of getting started.
Communicating
With Your Subselves
Our
subselves each have
unique feelings, wants, and opinions. When they feel safe - or excited -
enough, they express these as thoughts, day and night dreams, hunches,
intuition, "visions," "senses," "moods,"
memories, "urges," "impulses," "knowings," and
(some) physical sensations. As you explore your inner world, you’ll
discover that there’s a lot going on at any given moment!
The next discovery is that -
if they feel safe - subselves will respond to communications from your Self,
each other, and "outside" people. Our parts "talk,"
listen, argue, interrupt, whine, whimper, moan, bellow, demand, and
question, all the time.
Before going on, check these
ideas out. Be still, and notice your emotions and thoughts now.
Imagine each feeling and thought is brought to you by a subself. Ask
(think) "who are you?" (or any other question that occurs to
you). Notice any reaction - like another thought, a shift in feelings, or a
body sensation. If you want to, allow an inner dialog
to develop. If emotions
occur as you do this, those are your selves "activating." What’s going
on in there?
If "nothing,"
recall that some Guardian parts have the protective ability to "drop a
curtain,"
or
your inner
perceptions. If that’s your experience now, respectfully ask the part responsible to show you why it needs to do that. It may or may not feel
safe enough to answer in some way. Trust the first response you get, without
analyzing it.
If it still seems really
weird and unlikely that you can talk to your other subselves (without being crazy!),
experiment further. As you do, you should be able to increasingly trust that your Self and your parts
really can communicate. Interview them individually, and get to know them.
How Do I Communicate?
There’s a rich range of ways to learn about each of your parts. By yourself,
you can...
-
have
inner-thought dialogs;
-
write
down
subself monologs, dialogs, or council-meeting
transcripts;
-
use pictures
or other media; and...
-
use your body
sensations.
You can also ask one part to pass communications back and forth between you
(your Self) and another part who isn’t ready to interact directly yet. Like
some co-workers in an organization, some parts will tell you things about
other parts which may or may not be accurate (!)
With a trained parts-work counselor or guide, you can allow...
-
indirect and direct access between them
and a given part, where the helper asks the questions; and
-
you and a helper can also
work co-operatively together to interview, instruct, or negotiate with
parts.
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Each subself may have a
preferred way of communicating. Some will do so via thoughts and/or inner
pictures, some will use your vocal cords, and some would rather write prose
or poetry or sketch in your journal. Some very young Vulnerables are
pre-verbal (or occasionally even pre-birth). They can communicate via body sensations, emotions, or mental images, not with words,
so your
of these is vital. |
As your parts-work experience
grows, you’ll develop a facility with each of these communicating
"channels". Let’s take a look at the main modes:
Using
Your Inner Voices
What's a
thought? We all
have them, yet it’s hard to describe exactly what they are. For most of
us, they’re (usually) coherent streams of silent words and phrases -
sometimes linked to images or emotions, other times not. The inner-family
model suggests that our thoughts are the voices of many (not all) of our
parts. Before accepting the reality of subselves, most of us say (or think) "I’m thinking." That changes here to "part of me is ‘talking’."
Notice your current thoughts, and say out loud
"One of my subselves is causing these inner word streams." Notice
also that you can allow inner talk to happen or divert it. You probably
can't completely stop thinking - right? try it. Also experiment with
"creating" inner sounds, like laughing, bellowing, bells ringing, water
moving, thunder, animal sounds, and favorite tunes or arias.
Parts work uses this
universal ability to communicate "inside" to interact with
subselves. To meet one, you (your Self) focus on them, and think an
inner question or comment, like "Are you the one who’s waking me up
at night?" Then "be quiet," and notice any response
without judgment: a thought,
feeling, body sensation, or several of these.
"No response" is a
response.
If a thought forms, that’s
a subself replying to
you. By alternating comments or questions from your Self and sensed
responses, you can dialog with selected subselves. Allow this to feel alien
and weird, at first. You'll soon get used to it, and may wonder how you got
along without these rich inner dialogs. Typical kids are quick at learning
to talk fluidly with their parts.
Part's conversations can be
internal (silent), or you can speak out loud. I’ve shared profound moments
with clients who encouraged a subself to use their lungs and vocal chords to
make sounds for the first time in their life. Instead of "I’m talking
to my self" which may feel silly or weird, try saying "I’m
giving one of my subselves a voice." Experiencing inner
conversations, alone or with a helper, can feel much different! Pause and
notice your thoughts and feelings now. Is anyone commenting on the ideas we
just covered? Who?
Changing Chairs or Locations
Psychologists Hal and Sidra
Stone have developed an inner-family process they call "voice dialog." In
"Embracing Our Selves," they write
about many clients who would change their seats during a parts session to
access different inner "voices." I’ve experienced the same
thing. A woman I’ll call Joan would have inner-family shifts regularly during our sessions.
An angry adolescent part would talk on the left end of the couch; a sad one
spoke with a very young voice from a separate chair, and Joan’s Self would
speak confidently from the right side of the couch. This evolved
spontaneously - it wasn’t true when we began, nor did I coach it.
Imaging
and Sensing
Some people are more visual
than others. Others are more sound or touch oriented. They easily see or
sense inner images of both real things ("picture" your car), and
non-real things like dream-scenes and imagined sights. For instance, see if
you can image a mouse and an elephant having tea. if you can’t, you’re
still OK! Visual people can develop the ability to see or sense symbolic
images of their parts, and often the parts’ actions and surroundings. Such
images are rich sources of information about your inner team and it’s
members.
If you are visual, two
options for your Self are: (a) intentionally pick an image that seems to fit
a given part, or (b) invite the subself to show you it’s own preferred
symbol. I recommend the latter, because asking a part how it wants to
represent itself is more respectful than "forcing" an image on it.
My experience is that -
depending on their sense of safety, some parts will pick an initial image
(or none), and then adopt a more "real" one later in the work.
Others don’t need to do that. Some subselves can use several different images
at different times, depending on inner and outer circumstances.
Typical subself
images people describe are of full or partial human adults and children,
including infants and even embryos. Other images have been "a
pile of black dirt," "a ferret," "a huge gray
boulder," a "soft white light," "a fairy like Tinker
Bell," and other non-human forms. There is no right way to image a
subself
other than what they and you feel is fitting.
Note also that,
like photographs, the image of a part is a symbol - it’s not the
part
itself.
As with many inner-family explorers, one client discovered that her "Guilt
Tripper" (Inner
subself used the image of her younger real-life mother, frowning and angrily
critical. Stay clear that such a part is not "my mother." It is a
unique subself who uses the image of "my mother" to
represent herself, like a costume. This distinction is important to avoid
projecting feelings you have about the real person onto a subself.
Memories
A phenomenon that’s so
common as to be unnoticed is our ability to remember past inner and outer
events. Memories can be seen as another
"channel" some subselves use to communicate with.
A related phenomenon is "forgetting" and local amnesia. This may be seen as a
or
habitual protective action to keep us from
expected harm or
Some (not all) people doing patient meditation and parts work can
safely re-gain some repressed memories - i.e. a subself can gain enough trust
in current inner and outer safety to "release" the old images.
Typically the repressed material is about events which were experienced at
the time as exceptionally painful, threatening, or
See also
"Body Memories" and "Flashbacks" below.
If you’re visual, use steps
like these to develop your ability to "see" or "sense"
the images your parts want to use:
Get quiet, relaxed, and
physically comfortable, in a non-distracting place. Breathe comfortably
from your abdomen (vs. your chest).
"Clear your inner
space" in your own way. Perhaps imagine erasing a blackboard,
clearing a table-top, being by a calm lake or pond, raking sand into
smooth patterns, or focusing on a pleasant pastel color. Quiet your thoughts.
Think or say softly something like "I am still now" several
times. Breathe easily and naturally.
Focus your thoughts on the
subself you want to "see." With peaceful interest and expectancy,
invite an image to form, or ask the subself to give you an image it would
like to use to represent itself. Trust the first thing that happens - including
"no image."
Be alert to other parts
having a significant reaction to the image. If some judgmental or analytic
part wants you (your Self) to edit or reject the image that comes (inner voice:
"That doesn’t fit - that’s crazy!"), acknowledge and decline
their urge. If some parts are upset, scared, or even disgusted by the
image, acknowledge and reassure them - and stay focused. Use such
reactions to learn more about those subselves after you’re done with the
current project.
Focus on the image and its
surroundings. Neutrally notice as much as you can, like an objective
reporter. For instance: "My sad part looks like a barefoot 7-year-old
girl in a brown dress. She has stringy blond hair, and is sitting hunched
in a corner with her arms around her knees. I can’t see her face yet.
The corner is sort of dark gray, and bare. The floor seems to be wood. I
can’t see anything else now."
Notice your feelings and
attitude about the part. If other than a compassionate interest, know that
another part may have
with your
Self. Work with that part to see what it needs, if that feels
right at the time (see "Unblending").
When a parts session ends,
journal (soon) about both what you experienced and any emotional or
physical reactions you noticed along the way.
Writing
and Drawing
Some members of your inner
family are most comfortable and fluent communicating non-verbally. Here are
some options:
Monologing
Using your
parts-work journal or log, focus on a given subself and invite it to express
itself by writing it’s current thoughts, feelings, goals, fears, and
A key here is to accept and write or draw anything that comes up,
without editing or analyzing. As you do, other subselves
may want to critique, comment, or block the Writer.
Reassure them (your
Self) that there’s enough time for each part to be attended to, and stay
focused: honor the subself that’s currently communicating. As you do, your
other subselves will gain trust over time that You’ll honor them, too (if you
do!). That’s part of effective teambuilding.
As
your experience with parts-work grows,
you may notice that different parts have unique handwriting, vocabularies,
and styles. This helps in times where you’re not clear on who’s
communicating.
Right or Left Hand
Experiment with writing or
drawing with each of your hands. Many subself-explorers discover some inner
members have a clear preference or aptitude for one hand over another.
Using your non-dominant hand may empower some parts to communicate for the
first time. If you have protective parts who
at this, acknowledge that
with affection - and try switching hands anyway.
Using Different Media
Try writing or drawing with a
variety of media. Some parts may feel freer to express themselves with a
pen, a marker, crayons, a pencil, or paints. Some may like prose, others
poetry, while still others want to draw, sculpt, make a mural, a collage, or
just scribble.
Dialoging
Sometimes it’s
helpful
to let a conversation between two or more subselves develop on paper. One way to
do this is to divide a blank page into two equal columns with a vertical
line. Invite your Self or another part to write on the left side, and
record another part’s responses on the right side. An alternative is to
let a dialog unfold on the page the way the lines in a play or transcription
are written:
S(elf): "Are you the
part who’s giving me the angry feelings?"
P(art): "What if I am?"
S: "I’d like to know
more about why you’re angry. Will you tell me about that?"
P: "Maybe. I don’t
know..."
Continue learning ways to communicate
with your subselves and other techniques...
+ + +
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Updated
August 04, 2008
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